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- Mac Miller Donald Trump Bass Boosted Downloads
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Just five short years ago, the Internet community was ranting and raving over a new song/music video combo posted to popular video website YouTube. The music video in question was none other than Mac Miller’s “Donald Trump” a playful look at being young and getting rich off your own craft whilst simultaneously using successful businessman and now-presidential-candidate hopeful Donald Trump’s very own name in hopes of displaying just how rich and successful the 18-year-old Miller hoped to be one day.
Fast-forward to present day, and Mac now has the most successful independently released album of all time under his belt with 2011’s Blue Slide Park, as well as the critically acclaimed Watching Movies With the Sound Off from 2013, and of course, his multiple successful free mixtapes, including but nowhere near limited to Best Day Ever, Macadellic, and Faces, all of which are found on DatPiff.com for download and streaming.
After over two dismal years of loneliness and a brief stint in drug addiction, Mac Miller returns to us a completely new person. He’s not as loud or outgoing, he appears to have sort of vegged out in his older age, and he brings much more mature music this time around, vaguely reminiscent of the sound we heard in 2014’s Faces, but without the dark and drug-fueled themes from that particular tape.
The album starts off with a Tyler, the Creator-produced track, “Doors,” featuring dreamy, light sounds, complete with a xylophone and other noises prone to appear in the OFWGKTA frontman’s self-produced beats. This is all interrupted though at the beginning of “Brand Name,” as it begins with that blaring alarm so many people have become accustomed to in their own morning routines. This alarm goes directly with the album’s theme of waking up and being thrown into another day of unsuspecting superstardom where Mac must face trials and tribulations in connection to his lifestyle and those he holds most dear in his life.
“Brand Name,” “Rush Hour,” and “Two Matches (featuring Ab-Soul of TDE/Black Hippy fame)” all explore the all-to-familiar themes that come with Mac Miller’s music: being unmistakably young, getting richer than snot, and dabbling in a couple different drugs along the way (but mostly smoking pot). As usual, Mac also delivers his fun wordplay on popular figures in American culture as well as movies or television show titles. Most notable of these is when Miller raps, “I’m a deranged motherf*****, took too many uppers. Now it’s Rush Hour, Jackie Chan, Chris Tucker.”
The fifth track is one of the more memorable ones on the album, since it was GO:OD AM’s first single and music video to be released towards the beginning of August, over a month before the album’s September 18th release date. “100 Grandkids” touches base with Mac’s strong connection to his mother while still providing the listener with (you guessed it) fun lines regarding money and fame. It almost splits into two different songs when the beat changes up at around the 2:52 mark, going from a lighthearted horns and woodwinds sound to a more traditional trap beat with repetitive bass and snare drum variations over a piano playing the same eight notes over and over again.
It’s a perfect way to enter into Miller’s and featuring artist Lil B (the Based God)’s bass- and funk-heavy “Time Flies,” where Lil B has random philosophical asides about time itself and the beyond, while Mac finds a niche in rapping some more about his ego and state of mind due to being famous.
Next up is Miller and R&B star Miguel’s “Weekend” which has a slower, more precise beat than the last and serves as a special track for that moment when you’re either winding down your own Friday night festivities or just fed up with the week’s workload and need to unwind a bit. This track serves as my personal favorite too because it reminds me of the summer of 2011 when another famed R&B star, Frank Ocean, dropped his incredible Channel ORANGE album.
“Clubhouse” is one of those strange songs that combines multiple derogative terms with a catchy hook that concert goers will remember for years while also throwing in various hip-hop sounds of samples of a dialup modem and disc scratches to create a trippier song for the listener to vibe to.
“In the Bag,” “Break the Law,” and “Perfect Circle / God Speed” all have memorable skit interruptions in them that break away from the addictive beats and incredibly controversial sayings that Miller raps in order to provide a more thematic experience in the sense that they all have a necessary fit in each song to continue telling the story of where Mac’s been the last two years since his last album came out: a deep, dark pit of depression, loneliness, and drug abuse that he’s since overcame and learned to poke some fun at since.
The bangers of the album have to be “When In Rome” and “Cut the Check (featuring Chief Keef),” while “ROS,” “Ascension,” “Jump,” and “The Festival (featuring Little Dragon)” all serve as slower yet still-catchy jams on the album.
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“The Festival” is really a perfect way to end such a well-done semi-concept album because it has an almost dream-like sound to it, with the electronic instruments the track utilizes as well as Little Dragon singer Yukimi Nagano’s light voice over the keys and bouncy drums that play throughout.
As GO:OD AM comes to its hilariously strange conclusion, a latino male talking about how good the album itself is, I’m reminded why I like Mac in the first place: variety and substance. No other rapper I’ve personally listened to can deliver such uniqueness on each and every song he or she puts out. Mac Miller has always been masterful with wordplay and puns, but his ability to find different beats or lyrics that keep the listener attentive and intrigued as to where his story might flow next really shines through on this brand-new album from the 23-year-old Pittsburgh native.
Make sure to either pick up a physical copy from your nearest retailer or stream it through your favorite service; this album is not one to miss, I promise.
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President Trump may have the support of rapper Kanye West, but what about Tupac Shakur?
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Shortly after West delivered a pro-President Trump performance during the premiere of Saturday Night Live on 28 September 2018, an image purportedly capturing a younger Donald Trump hanging out with Tupac was shared by a number of social media users:
This is not a genuine photograph of Donald Trump with Tupac Shakur. The original picture was taken at the MTV Video Music Awards (VMAs) in 1996 and captured the famous musician with an unidentified individual. Whoever created this hoax image simply cut and pasted Trump’s face onto the anonymous man’s body.
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Here’s a comparison of the original photograph (left) and the doctored image (right):
The source image for Trump’s face appears to be a 1996 photograph of Trump with his second wife, Marla Maples, and their daughter, Tiffany Trump:
The 1996 VMA Awards were held on 4 September 1996, just a few days before Tupac was fatally wounded in a drive-by shooting. Tupac can be seen wearing the same gold chain and “Death Row East” shirt in a video from his final appearance on MTV: